![]() With familiar Los Angeles shots of its predecessor intact, Deakins helped amplify the look and feel of the franchise with some stunning desert shots. Deakins’ visuals help make this picture excel and formed part of the success that propelled it to $1.1 billion globally in 2012.įrom the very first trailer for the belated sequel to Ridley Scott’s neo-noir classic, fans knew that this was going to be a visual treat. ![]() Skyfall is one of the most visually delightful entries in the entire Bond franchise. Deakins excels at bringing the eerie snow-covered Minnesota landscape to life, truly making the audience feel the chill and making sure the Marge Gunderson’s surroundings form a key part of the story.Īs far as visuals in major blockbusters go, this is hard to top: from the neon-lit Shanghai fight sequence to the climatic fight sequences in the snowy Highlands. One of the definitive collaborations between the Coen brothers and Deakins, this is a triumph of a film on many levels, even inspiring a hugely successful TV spin-off. We’re here to take you through 5 of his notable works that prove the merit of his new title, Sir Roger Deakins. Over the past three decades, Deakins has cemented himself as one of the marquee names in the cinematography fields, recently winning two Oscars for his work on Blade Runner 20. His work, however, is prolific, having served as DoP with many others such as Martin Scorsese, Sam Mendes and Denis Villeneuve. Just make sure you ramp up to it, the way Mendes has with his last few Hollywood films.With the news that legendary British cinematographer Roger Deakins is to receive a Knighthood, it’s an apt time to assess some of the marvelous films he has shotīeloved for his stunning and innovative style, Roger Deakins is perhaps best known for his 12 collaborations with the Coen brothers. If you're gonna go big, might as well make it worthy of the biggest screen experience possible. Spectre's opening "Day of the Dead" sequence also serves as training wheels for what Mendes set out to achieve here, which is nothing short of a revolutionary act in the current blockbuster landscape where IP is king and so is the assembly line feel of its execution. See their collaboration on Skyfall and that backlit fight between Bond and an assassin against the neon-lit backdrop of Shanghai's skyline. ![]() ![]() Mendes and Deakins are no stranger to the oner. When asked how he and his editors chose to hide the edits, Mendes replied coyly: "What cuts." Designing the story and visuals to unfold in a way that helps disguise and blend in cuts from scene to scene also raised the level of difficulty considerably. The demands on such a technically difficult execution are high, from the late-day lighting and trying to keep it consistent for continuity (which is a fresh hell onto itself). The video below captures how detailed and challenging this process was. All stakeholders spent nine months preparing shots and sequences, and coordinating with the production heads to make sure each scene was "matchd and timed seamlessly" as crews spent the spring shooting across various locations. Helping him bring audiences into the trenches with these soldiers was Deakins and Mendes' co-writer, Krysty Wilson-Cairns ( Penny Dreadful). The way the movie is made is designed to bring you as close as possible to that experience.” What they are asked to do is almost impossibly difficult. " I wanted to travel every step with these men -to breathe every breath with them. “It was fundamentally an emotional choice,” the Oscar-winning director of American Beauty told VF. Rather, it is to service the emotional story as visually exciting as possible. That's not just for a gimmick, Mendes explains. The harrowing action - the entire film - unfolds in one long take. To pull off such a technical achievement required considerable effort from Mendes, his Skyfall cinematographer, Roger Deakins, the cast, and the crew and Vanity Fair has an exclusive behind-the-scenes look at how the Oscar contender pulled it off.ġ917 centers on two British soldiers struggling through and across European frontlines to deliver a message that could save 1600 lives. When director Sam Mendes' 1917 hits theaters, audiences will experience the WWI epic seemingly in one continuous take. Sam Mendes new World War I movie is pulling a Hitchcock's Rope and delivering the hell of war in one continuous take.
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